It has taken many people to help create the exhibition from that concept we created years ago, and it is so rewarding to finally see visitors experience the exhibition." "And our collections, registration, conservation, and prep teams ensured that the objects to be displayed arrived and were installed safely. "We worked closely with Studio Ghibli during our research trips as we decided on the works to include in the exhibition, and we learned about how their films were made," he reveals. We are deeply grateful for this collaboration and the friendship we have formed and are very proud of the exhibition, catalogue, and film screenings that can now be enjoyed by the public."Ĭollaborating with the Academy Museum's production, media and graphics teams, Raúl adds that everyone worked in synch to execute the vision of an "experiential exhibition journey." This includes a recreation of the red tunnel seen in Spirited Away and a hypnotic fibre-optic installation of the camphor tree from My Neighbour Totoro. We were able to visit Studio Ghibli and the Ghibli Museum, Mitaka, on several occasions, interview some of Miyazaki-san's key staff and speak to the master himself. "It has been incredibly rewarding to work with them over the years, we have learned so much from them, and they have informed our thinking in so many ways. "It took some trust-building and a leap of faith on both sides, but once they had made their minds up, our partners at Studio Ghibli became invaluable supporters," explains Jessica. And considering how precious his drawings are, asking to take so many of them outside of Japan for such a long time was a big ask. This makes even more sense when you consider that Studio Ghibli has never let another institution curate an exhibition about their work, let alone Hayao Miyazaki's. They didn't know us, our museum didn't exist yet, and they are very protective of Miyazaki-san's work - rightfully so." "This is perfectly understandable when you think about it. "When we first approached Studio Ghibli, it was not clear whether or not they would be willing to collaborate with us," Jessica tells Creative Boom. With so much of the art on display making its first appearance outside of Japan, it's unsurprising to learn that the exhibition took years of planning and cooperation between the Academy Museum and Studio Ghibli.
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